the leviathan, whispers the steerer

 

we slipped 
the dragon boat 
into the skies 

it floated off
us rowers 
in sync
paddling off
the caller
a screech
of a voice
somehow projected
in the void of space
(how, we do not know) 

we followed the
constellations
lapping through a
course so long
and somewhat windy
like cayuga lake
from where
the caller hails 

she hails
YES
FORTH
the sound echoes
bouncing off something 

something large
something alloyed 

the leviathan,
whispers the steerer 

the leviathan,
repeats us rowers 

the caller drums
bum bum
the heartbeat
of our whiskered wooden
beast 

another heartbeat
matches it
hollow, metallic 

resounding
large 

a tail swish,
and we are caught
in the tailwind
literally 

atmosphere—
we must be 
in the embrace
of a planet 

but where is its curve?
where is its 
seductive sphericity? 

the leviathan
groans, roars 

the dragonboat 
moans, murmurs 

slicing through 
space 

bum bum
the caller drums 

strange scales
like solar panels
humps and protrusions
are they storage sites?
energy collection modules?
or weaponry? 

will it shoot? 

the monster draws us in
sinuous, lengthy
an arc of a neck
like the lochness 

we shiver
goosebumps
swimmer’s ear
all is a fog
we’ve never been 
this close before 

once i saw it
from afar
on a trip through
asteroids—
my ma
told me 
not to point
it’s not good luck 

the leviathan,
whispered my ma 

the leviathan,
whispered my lips— 

the leviathan,
whispers the steerer 

the leviathan,
repeats us rowers 

echoing in
our heads 

our auditory
canals 
clogged 

i stop rowing
i point
i can’t help myself
my paddle continues
to create a streak
moving on its own
phantom arcs 

my teammates stop too
staring, gawking
mouths open
sucking in
some of its
aura  

or something
its lamellar leviathanish
its sparkling stupendousness 

we breathe out
rub our callouses
on our laboring palms
we are pulled in
not just by gravity
but the phantom paddlers
who sit in our seats
and inhabit our bodies 

the leviathan drags us in
we dive into its scales
through its scales
into the body of its 
planetary-sized self 

a quiet world
marine, salt in our
noses 

the water is hot
the seaweed slippery
little lochnesses
small like tadpoles
their humps bobbing 
up and down 

surround us
they are…
what are they?
eager, fresh, vital
like sperm 

they want to mate
they want to row across
the celestial skies 

not groan in place
in all its armor 

it needs to send drones
to pitch little ones
across the galaxies
seedlings to explore 

the phantoms
release us—
the dragonboat
no longer followed
by a wake of water lines 

the dragonboat divides
each of us emerge 
from liquid submersion
to a separate boat
as if through a portal—
manifesting, dripping
phantom paddlers populate 
the empty seats
like non-playing characters 

i shake my head
no…
i am both the steerer
and drumbeat
my brain short circuits
my arms stretch out
by rote memory
and grab the paddles
calluses ache
i call out
hailing
YES 

conception
birth
the seedlings
we are one 

YES
FORTH 

i sweep forth
in wide crescents
cutting through space 

humps along
my back
humps
along the waves
that follow behind me 

humps
along my arms
once goosebumps
bloated large
pus-filled 

drum-beating
heart-beating 

where millions of
gametes lay
waiting

  

my outlaw in-law

 

my outlaw in-law
has
three tentacles
five glocks
and a cold, hard
stare 

but their
deadliest attribute—
that can whip torrents
and crush souls? 

their disapproval

 

gratuitous gratuity

 

hey, a tip?
if you’re going to give gratuity to the ferryman
drop some change into his skeletal hands
don’t use bitcoin
it falls right through
ends up sticking
to the bottom of
styx
it simply
tanks

Author’s Biography

D.A. Xiaolin Spires steps into portals and reappears in sites such as NY, Hawaiʻi, various parts of Asia and elsewhere, with her keyboard appendage attached. Her work appears in publications such as Clarkesworld, Analog, Strange Horizons, and anthologies of the strange and beautiful: Make Shift from MIT Press, Rosalind’s Siblings from Atthis Arts, and Life Beyond Us from The European Astrobiology Institute. Her works have been selected for The Year’s Top Robot and AI Stories, The Year’s Top Tales of Space and Time Stories and the The Year’s Top Hard Science Fiction Stories, with poetry nominated for Rhysling, Best of the Net and Pushcart awards. She is the author of the sci-fi novella Ellipses from Infinivox.

She has a Ph.D. in socio-cultural anthropology and has conducted National Science Foundation-funded research. Her multifaceted writing reflects her interest in food systems, ecology, technology and society. She has mentored through SFWA and has taught academic and creative writing to students at the college level. She speaks multiple languages, savors durians, dekopon and rose-apples and teaches stick-fighting and weapons-based martial arts. Brush in hand, she also paints fantastical art in sumi ink, gouache, watercolor and acrylic. When she’s not doing all these things, she is playing with meeples, cards and tiles, convening with good folk around a board game or RPG. She can be found on Bluesky: https://spires.bsky.social, Instagram https://www.instagram.com/spireswriter/ and on her website: daxiaolinspires.wordpress.com.